![]() ![]() Shulman’s archives of more than 250,000 meticulously filed negatives were transferred to the Getty Research Institute in 2004 and have since become a major source of information for publishers and researchers. The program proved to be a success, and houses by Pierre Koenig & Buff, Straub & Hensman and many others thus became icons of the Californian modernist style. The editor of the Arts and Architecture magazine, John Entenza, launched a project entitled “Case Study House Program”, which aimed to promote modern houses built at affordable prices with the sponsorship of the construction industry. In the 1950s and 1960s, Julius Shulman’s photographs virtually dominated the pages of magazines and played a crucial role in the promotion of modernism as a style of architecture through reports published in magazines such as Life, Look, Time, Good Housekeeper, etc. His success at the translation of three-dimensional spaces into two-dimensional photographs earned him a reputation that went far beyond Los Angeles, and his list of clients began to resemble a Who’s Who of the great architecture of the 20th century, ranging as it did from Oscar Niemeyer and Mies van der Rohe to Frank Lloyd Wright. Generally speaking, architects prefer their work to be represented without the disorder of daily life, but Shulman considered life to be the ultimate objective of architecture and included people and their possessions in his photographs. He rapidly developed a style of architectural photography all his own, characterised by strong geometrical compositions, emphatic contrasts, interiors and exteriors bathed in well-balanced light, and a use of colour at a time when colour was obviously not used as it is now. Thus Shulman became a professional photographer from one day to the next. Neutra told Shulman that he was delighted with the way in which his photos revealed the essence of his project and asked him to photograph other realisations of his. One of his acquaintances, an assistant of the architect Richard Neutra, asked him to photograph the Kun development, which Neutra had just completed in 1936. Hän muutti vuonna 1912 maatilalle Connecticutiin ja vuonna 1920 Los Angelesiin. Shulman syntyi New Yorkissa venäjän juutalaisten maahanmuuttajavanhempien neljästä lapsesta kolmanneksi. He enrolled for a photography course after he had been given a Kodak pocket camera in the early 1930s. heinäkuuta 2009) oli yhdysvaltalainen valokuvaaja. He attended university without any great conviction or plans. Julius Shulman was born in 1910 in Brooklyn NY, from where his family first moved to a farm in Connecticut and later to California. School of Architecture, Civil and Environmental Engineering Julius Stulman has been listed as a noteworthy lumber executive by Marquis Who's Who.Exhibition realised by the Frankfurt Museum of Architecture Member advisory board California Institute Asian Studies, International Cooperation Council. Consortium on peace research, education and development Institute Behavioral Sciences, Boulder, Colorado. Member advisory council Society General Systems Research, Washington. Vice president Center Integrative Education, New York City. President World Institute Council, New York City. Director World-Wide Press Company, 1953-1960. President Green Street Terminal Corporation, New York City. Director Foundation Life Insurance Company American. Now chairman board chairman board Lumber Exchange Terminal, Inc. With Lumber Industries Incorporated, New York York City. ![]() Son of Joseph and Ida (Goldstein) Stulman. ![]() Stulman, Julius was born on Apin New York City. Fellow World Academy Art and Science member Poetry Society of America, World Medical Association (life), American Cycle Association Clubs: Masons. Julius Stulman, American lumber executive. ![]()
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